![]() In The Catherine Tate Show, during the "Life at Ma's" sketch (a spoof of Life on Mars), the last four lines are sung by Catherine Tate and a variety of other characters.The song is sung by the character Blanche Simmons at the internee’s Christmas concert in the TV series Tenko, shortly before they are marched out of the camp by Japanese soldiers at the end of the first series.The narrator responds aggressively and reveals a negative opinion of all fans of that club, using obscene language. The song forms the basis of a football chant in the UK at clubs such as Aston Villa, Manchester United and Linfield FC In the chant, the narrator's old man suggests being a fan of a rival club. ![]() Danny La Rue also often sang it in performances. These two songs appeared together on the group's 1965 album, Recorded Live in Ireland. Various lineups of the Clancy Brothers (with Tommy Makem, Louis Killen, and Robbie O'Connell at different times) have performed the refrain as part of a medley, immediately following " They're moving Father's grave to build a sewer", which also deals with the travails of working class Londoners. Stopped off to have one at the old Red Tavern And I can't find my way home. I had to stop to have a drop of tiddly in the pub Now I can't find my way home. ![]() Well you can't trust a man when your life's in a van an' you can't find your way 'ome. Who'll put you up when you've lost your bedstead, And you can't find your way 'ome?" I stopped on the way to have me old half quarten, now I can't find my way home. There are a number of alternatives to the last two lines: Well you can't trust a special like the old time coppers. But I dillied and dallied, dallied and I dillied Lost me way and don't know where to roam. Off went the van wiv me 'ome packed in it, I walked behind wiv me old cock linnet. My old man said "Foller the van, And don't dilly dally on the way". Alternatively (according to the physical gestures accompanying the song) they may simply be less qualified to give dependable street directions. Thereafter, she reflects that it would be ill-advised to approach one of the volunteer policemen (a "special"), as they are less trustworthy than a regular police constable (a "copper") and might take advantage of her inebriation. Unfortunately, en route, the wife loses her way after stopping at a pub for a drink. The husband therefore instructs her to follow the van, which she does, carrying the pet bird. When the van is packed up, however, there is no room left for the wife. The couple rush to fill up the van, and its tailboard, with their possessions, in case the landlord appears. At the time the song was written, most London houses were rented, so moving in a hurry – a moonlight flit – was common when the husband lost his job or there was insufficient money to pay the rent. In the song a couple are obliged to move house, after dark, because they cannot pay their rent. It joined a music hall tradition of dealing with life in a determinedly upbeat fashion. The song, although humorous, also reflects some of the hardships of working class life in London at the beginning of the 20th century. Leigh and Charles Collins, made popular by Marie Lloyd. ![]() "Don't Dilly Dally on the Way", subtitled "The Cock Linnet Song" and often credited as "My Old Man (Said Follow the Van)", is a music hall song written in 1919 by Fred W. Sheet music for "Don't Dilly Dally on the Way"
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